“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.
As his diehard fans know, King is a member of a writers-only rock ‘n’ roll band (Amy Tan is also a member), and this recording starts off with a sampling of their music. It may sound unsettling to some, but King quickly puts listeners at ease with his confident, candid and breezy tone. Here, King tells the story of his childhood and early influences, describes his development as a writer, offers extensive advice on technique (read: write tight and no bullshit) and finally recounts his well-known experience of being hit by a drunk driver while walking on a country road in 1999 and the role that his work has played in his rehabilitation. While some of his guidance is not exactly revolutionary (he recommends The Elements of Style as a must-have reference), other revelations that vindicate authors of popular fiction, like himself, as writers, such as his preference for stressing character and situation over plot, are engrossing. He also offers plenty of commonsense advice on how to organize a workspace and structure one’s day. While King’s comical childhood anecdotes and sober reflections on his accident may be appreciated while driving to work or burning calories on a treadmill, the book’s main exercise does not work as well in the audio format. King’s strongest recommendation, after all, is that writers must be readers, and despite his adept performance, aspiring authors might find that they would absorb more by picking up the book. ~ Publisher Review